"Shadows
are the inevitable part of light, or are they the absence
of light?
Or is light the absence of shadow, and shadow the negative
space of light?
"
~from
Shadow Tattoo Catherine Conlin--AWE
I
am first and foremost a poet. My poetry speaks through different
media in addition to the written word. A musician, songwriter,
producer and co-producer I have written over 75 songs, officially
released two CDs and have been involved in five serious
live bands and projects
. My lyrics are almost all spontaneous first takes. I am
also a fine art and documentary photographer. I carry at
least one, and many times two or three cameras with me at
all times.
Each of these components supports one another through various
common themes with one underlying motivation: Minimalism.
From my experience in this work, I am drawn to repetition,
simplicity and dynamic range. In my poetry, I write from
the perspective of a child having had her thoughts get tangled
in an escalator. In my music and photography I explore the
existential and physical aspects of life.
Having started as a short story writer who whittled down
my stories into sudden fictions and then into poems, I see
all my work resorting to the same path. Things are simple
and yet never simplistic. One does not need to be a virtuoso
to be a master of his/her own style and evoke the emotions
that a perfectly honest child's drawing evokes.
I am interested in life, in America the beautiful as well
as the ugly, in people who are not afraid to reveal themselves
to the camera. I can get fixated on a single leaf, or a
neighborhood on the edge of blight and prosperity. Life
is perplexing and I have never managed or even wanted to
live this "American Dream" we are led to believe we must
and yet, America is a beautiful and bountiful country and
I am perpetually enamored with the scenery, the homogeny
and the dichotomy.
I see this work in various interdisciplinary mediums and
very site specific: photography in scale set to "haunting
dream poetry" music; tiny minimalist images in nearly all
white that require close observation. Large Portraits that
speak to one another across the room;. projected slide shows
to my music and flat screen monitors with LCD puzzles; grainy
or fine, depending upon the original tools utilized (Blackberry,
Nikon SLR camera or Leica point-and-shoot); words scattered
and displayed in meaningful compositions.
Having spent years in the floral design industry creating
immediate environments for large venues, this installation
is the Pièce de résistance, three months to create site-
specific beauty, chaos, harmony, anarchy, order and ultimately,
peace. The viewer is left with a feeling of safety, security
and home that no government, no cul-de-sac, no bank can
ever insure.
With my intrepid self and work, I will exemplify what it
feels like to fly without wings, to walk without bones,
to swim without water.